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Mostly Knitting Blog

Want to find the new stuff on Knitting-and.com, or read about my latest projects and discoveries? This is the place.

Halloween Flashback – Old School Recipes for Halloween

These days a home made Halloween feast can give you the ultimate stress out, what with all of the perfect, expensive and super time consuming things I’m sure we’ve all saved on a Pinterest board for “someday”. So, how about a couple of old time, easy treats to help lessen the stress?

I used to run a YouTube channel called The Vintage Kitchen, where I modernised the measurements and cooking of vintage recipes for today’s cooks. Here are a few of the Halloween recipes I made.

Goblin sandwiches. A halloween treat from the 1930's

Goblin sandwiches from 1936 – a fun way to dress up your kid’s lunch on Halloween.

Witch's Brew

Witch’s brew from 1936. Decorate some shop bought (or home made) marshmallows with grumpy or scary faces and pop them in a cup of frothy hot chocolate.

A tray of pumpkin pasties cooling down.

Celebrate Halloween in style with pumpkin pasties from 1947, rock cakes from 1927, or treacle tart from the 1970’s. These rock cakes won’t break your teeth!

Jellied chicken salad garnished with tomato and cucumber

Or you could take the ultimate challenge and make Jellied chicken salad from 1953, and dare anyone to eat it! It’s a basic chicken salad in jellied dressing but you could dress it up to be really horrifying instead of just “why would anyone do that to a poor, innocent salad?” type of scary. Set it in a skull shaped bowl, with spiders made from black olives for a dinner with a difference!

Whatever you do on Halloween, I hope you have a spooky day! I’ll be handing out treats and trying to peel my son off the ceiling after he eats too much sugar.

Sarah

Beyond TAST – Line Stitches

Beyond TAST is up to season 8 but I’m catching up slowly! I’ve just finished season 5, line stitches.

Because I experimented a lot with all of the stitches when I did the Take a Stitch Tuesday challenge in 2015-2017, I sometimes like to narrow down what I’m going to do in my Beyond TAST embroidery samplers. For example, this season’s challenge was to explore line stitches. I chose to use wool threads on a woollen background. Specifically, some pieces of the old blanket I cut up and dyed a while ago.

I have a bad habit of almost always using a double thread when I embroider with wool, so my first sampler is a small selection of basic line stitches worked in a single thread, then a doubled thread. I made this for future reference, so I don’t stick to my current habit of “double up all the woollen threads”.

The threads I used are DMC Medici, Appleton Wool and DMC Floralia. Oh, and a local hand dyed wool (the orange), which I promptly lost to tag from (oops). The couched thread is Noro wool/silk something or other. It’s one of my favourite thick yarns for couching that I bought at the op shop (charity second hand shop) a few years ago. I’ve used it a lot in my Take a Stitch Tuesday samplers. I’ll be sad when it runs out.

Wool blanketing sampler with various line stitches worked in wool thread.

When I think of things with lines and stripes, the bands on rocks and stones are one of the first things that come to mind. Nope, not zebras, or candy canes! I made a Pinterest board of stripy rock research photos, and came up with the idea of making a sampler of stripy stones.

I usually limit myself to “ALL THE COLOURS!”, so I deliberately limited my colours to blue and brown, and only two pieces of wool blanket. I kind of cheated since one was pink, green, purple ochre and blue, but we won’t mention that 😉

First I stitched the pebbles down with silk sewing thread that matched the stones as much as possible. (I. E. Not very). Then I embroidered the stripes and outlines in stem stitch, and finally worked running stitch across the background in two colours to give the stones more depth and the background some texture. I worked a dark purply brown all over the background, then added a lighter brown in a couple of sections for more visual interest. I’m very pleased with the result.

Pebble sampler with wool thread on a wool background

You can’t see how three dimensional it is in the first photo so here’s one taken at an angle. You can see the lighter shade of brown I used in the background clearly in the bottom right hand corner. The running stitch really made the pebbles “pop”.

Dimensional wool blanket pebbles on a felt/wool blanket background.

I’m super happy with the results and may need to dye some more blanket pieces in lighter colours to expand my stash.

I mentioned earlier that I had already experimented with line stitches a lot when I worked the 100 stitch TAST challenge in 2015 to 2017.

Some of my favourite line stitch samplers (You may want to grab a beverage and get comfy first):

Knotted Cable Chain, which I worked in a large range of threads from super skinny size 12 perle cotton to super thick Lopi knitting yarn. The same post has Portuguese border stitch and zig-zag coral stitch, which are also great line stitches.

Triangular feather stitch. This turned out to be a lot more versatile than I expected.

Raised chain stitches and reverse buttonhole bar are two very textural line stitches that I really enjoyed experimenting with.

Feathered up and down buttonhole (in the middle of this rather long post), is a wonderful stitch for natural elements like vines and cacti. It can be random enough to have a very organic feel to it.

Beaded oyster stitch. I added all sorts of beads and trinkets to this one. It can be a vert arty looking stitch, and very expressive. Alternating buttonhole stitch is also featured in this post. I enjoyed how graphic it can be when worked on striped fabric.

Pekinese stitch. I love how versatile this stitch is. It can be used as a filling as well as a line stitch. It can be worked in tiny threads for an antique look, or thick, soft cotton for a retro looking piece.

Shell and wave chain. I worked them in white sashiko thread on a vintage cotton serviette. I love the graphic quality of the white stitches on the dark background.

Magic chain. It was fun to play with both colour and thick and thin threads.

Fern stitch. Another lovely stitch for leaves and natural forms.

Buttonhole/blanket stitch. Check out those circles!

Half chevron stitch. I absolutely loved this stitch. I used it to make lines of stitching to form a landscape, using at as both line and filling in one go. It has a lovely movement to it, and is a great stitch for layering.

Stem stitch. How can you not love stem stitch? It’s just about the most versatile line stitch there is and makes an amazing filling stitch, especially dimensional when you use wool.

Satin stitch. Would you count satin stitch as a line stitch? I’m not sure, but you can embroider great lines with it, especially working it over a padding thread.

Feather stitch. I’m still very fond of my little embroidered underwater scene.

Cretan stitch. Worked in a variety of threads and thicknesses, cretan stitch has a lovely painterly, artistic quality to it.

The final two stitches, and the ones that completely have my heart and I could play with forever would have to be couching, and running stitch. Both are incredibly versatile and energetic.

I feel like I’ve linked to just about everything, but I promise I haven’t! The 2015 – 2017 Take a Stitch Tuesday (TAST) challenge covered 100 stitches, and I think I ended up working 115 or so.

Next up in Beyond TAST: Exploring laced and threaded stitches. I think I have an idea for that…

Sarah

Bingeing on Old Time Knitting Stitches

Yes, I had to look up how to spell bingeing. In Australia it’s binging but my brain says that rhymes with singing and the world prefers it with an e, so an e it has.

Where was I? Oh yes, old timey knitting stitches!

I’ve spent the last week knitting a bunch of stitches from the 1870’s and 1930’s and thought I’d share them with you over the next 6 weeks. I’ll be posting them on two days per week to leave space for other goodies and textile related ramblings. There will be lacy stitches, textured stitches and a couple of rather twisty ones too.

Today I’ll be started with two very simple, very old school knit and purl stitches from The Knitted Lace Pattern Book, published in 1870. Eloquently named stitch 28a and stitch 28b, they are, in fact, two very utilitarian knit/purl check stitches.

Large knit/purl check swatchKnit/purl swatch with small checks.

I know, they’re not lace. So why were they published in “The Knitted Lace Pattern Book”? Because they’re incredibly useful. I can imagine the large check used to knit baby blankets with a nice worsted weight wool and a thick border of moss stitch all the way round. The small one would be nice on a child’s cardigan or a very understated scarf with a band of red and white a couple of inches from each end. Or two ends of a scarf knit in the small check with 18 to 20 inches of rib in the middle as a Seaman’s scarf! Oh, and afghan squares. I guess it goes without saying that pretty much everything looks great as an afghan square.

Even though they’re very simple, I’ve supplied the patterns in words and chart form, so you can use whichever you prefer. In fact, there’s no reason you couldn’t work the small check in stranded knitting using the chart too.

Come back next time for a cool lace stitch from the 1930’s! (You can be notified by email when I post it by signing up on the left if you’re on desktop, or underneath this post if you’re on a tablet or mobile).

Sarah

New Knitted Blanket Square Pattern

I have a new pattern for you today!

Lace square for a knitted blanket

Square for a Quilt (what a memorable name, ahem), was originally published in The Knitted Lace Pattern Book around 1870.

Knit in thread, it measures 7 inches square, but you could easily update the look by knitting it in fingering weight cotton or sock yarn. The squares can be joined to form lace and blackberry stitch diamonds in the traditional manner, or you could create a whole new design by joining them to make zig-zagging rows of eyelets and lace.

I hope you enjoy this pattern. I’ll be adding most of the Patterns from The Knitted Lace Pattern Book over the next few months so get your needles ready!

Sarah

Beyond TAST Embroidery Samplers – Rice Stitch and Layering

The first thing I did after uploading the new version of the website was to get straight back to my Take a Stitch Tuesday samplers. (You can click on the photos for a closer look).

Rice stitch. We didn’t work rice stitch for the last TAST, so even though I’m working on Beyond TAST challenges now, I decided to work up a sampler to add to my stitch books.

Embroidered sampler with rice stitch on even weave fabric and wool blanket

I hated it.

At least, I hated everything I worked above the words. Then I decided to sew on a scrap of wool blanketing and work freehand and I loved it. It turns out that what I really didn’t like was the floppiness of the fabric as I’d washed out all the sizing when I dyed it. If I have any of this fabric left I’ll definitely starch it before stitching on it. I almost always wash my samplers after finishing them so it shouldn’t be a problem.

Speaking of washing, check out how much the orange crochet thread at the top bled! I definitely won’t be using that in embroidery again. I do love it though, I’ll just keep it for some single coloured crochet. Normally, I’d try washing it out but it doesn’t really bother me, what with the multi coloured background and the fact that not much will show once it’s mounted into a book. I didn’t really notice it until after I took the photo.

Next is my latest sampler for Beyond TAST. Exploring layered stitching.

I decided “layer all the things!” would be my premise so I gathered up strips of fabric (cut from previous TAST samplers), unspun wool scraps, and just about every type of thread I own. I even glued on some little plastic flowers. (E6000  glue is just as magic as I had been led to believe).

Embroidered sampler with layered stitching.

My theme started out as Australian plants and just grew from there. Pardon the pun 😉

I found one of the most interesting parts of this sampler was the layering of colours. I the flower bush, I had worked many shades of green and brown before sticking on the little plastic flowers. Once they were stuck on, they didn’t look like they belonged until I added lots of stitching in the flower colours to tie them in with the background shrubbery. If I were to try this again, I might even go as far as needle felting all sorts of things into the background. I had intended to here but after painting the calico, my embellisher probably would have just shredded it rather than incorporating any fibre into it.

Next up, I’m working on exploring line stitches. I’ll probably end up with two or three 8 inch samplers as there are a few different things I’d like to record.

Sarah