Menu Close

Tag: TAST challenge

Beyond TAST Embroidery Samplers – Rice Stitch and Layering

The first thing I did after uploading the new version of the website was to get straight back to my Take a Stitch Tuesday samplers. (You can click on the photos for a closer look).

Rice stitch. We didn’t work rice stitch for the last TAST, so even though I’m working on Beyond TAST challenges now, I decided to work up a sampler to add to my stitch books.

Embroidered sampler with rice stitch on even weave fabric and wool blanket

I hated it.

At least, I hated everything I worked above the words. Then I decided to sew on a scrap of wool blanketing and work freehand and I loved it. It turns out that what I really didn’t like was the floppiness of the fabric as I’d washed out all the sizing when I dyed it. If I have any of this fabric left I’ll definitely starch it before stitching on it. I almost always wash my samplers after finishing them so it shouldn’t be a problem.

Speaking of washing, check out how much the orange crochet thread at the top bled! I definitely won’t be using that in embroidery again. I do love it though, I’ll just keep it for some single coloured crochet. Normally, I’d try washing it out but it doesn’t really bother me, what with the multi coloured background and the fact that not much will show once it’s mounted into a book. I didn’t really notice it until after I took the photo.

Next is my latest sampler for Beyond TAST. Exploring layered stitching.

I decided “layer all the things!” would be my premise so I gathered up strips of fabric (cut from previous TAST samplers), unspun wool scraps, and just about every type of thread I own. I even glued on some little plastic flowers. (E6000  glue is just as magic as I had been led to believe).

Embroidered sampler with layered stitching.

My theme started out as Australian plants and just grew from there. Pardon the pun 😉

I found one of the most interesting parts of this sampler was the layering of colours. I the flower bush, I had worked many shades of green and brown before sticking on the little plastic flowers. Once they were stuck on, they didn’t look like they belonged until I added lots of stitching in the flower colours to tie them in with the background shrubbery. If I were to try this again, I might even go as far as needle felting all sorts of things into the background. I had intended to here but after painting the calico, my embellisher probably would have just shredded it rather than incorporating any fibre into it.

Next up, I’m working on exploring line stitches. I’ll probably end up with two or three 8 inch samplers as there are a few different things I’d like to record.

Sarah

More Couched Fillings for the Beyond TAST Embroidery Challenge

After working my last couched fillings sampler for the Beyond TAST embroidery challenge, I couldn’t resist the urge to push the idea a little further. Whilst traditional couched fillings are lovely, they aren’t a style of stitch I would use on most projects.

Presenting my “slightly more ‘me'” couched fillings sampler.

Couched filling embroidery sampler, stitched by Sarah Bradberry of knitting-and.com

These stitches are worked on quite a large scale using needlepoint and knitting wools as the couched threads. As you can see, I tend to like large graphic elements rather than small, tidy fillings, although I would probably work these in a range of different scales on an actual project.

I tried techniques including (clockwise from top left):

  • couching a double strand of yarn and separating in to make diamonds and circles, some of which I filled with a satin stitch shape.
  • Bayeux stitch.
  • Brown wool couched down with fly stitch.
  • Pink wool couched with random straight stitches.
  • A version of plaited filling.
  • Couched concentric circles, inspired by a comment made by Rebecca Ringquist in her most recent CreativeBug Daily Embroidery Challenge, The Drawing Stitches Sampler.*
  • Couched spirals in square and circle shapes, and finally
  • A leaf with green needlepoint wool couched down with straight stitches in an offset brick pattern.

Of course now that I have said these fillings are more my style, I’ll probably go and stitch something huge using both!

I have a lot of embroidery posts to catch up on this week, so stay tuned for more!

signature

* This is an affiliate link to Rebecca’s CreativeBug class. I may receive a small payment if you sign up to CreativeBug after clicking this link.

Laid Work and Couched Fillings – Beyond TAST Embroidery Challenge

For the third Beyond TAST challenge, we explored laid work fillings and creating patterns using couching.

To be honest, my heart wasn’t in playing with these stitches, so I learnt some classic ones instead. (I really like them, I just didn’t want to invent my own.)

Squares and leaf shapes filled with various styles of laid work and couched embroidered fillings.

To find instructions for all of the techniques I used, check out my Laidwork Pinterest Board and “Embroidery Stitches” by Barbara Snook. You’ll probably find instructions in any embroidery book that has more than the basics.

signature

Isolated Stitches – Beyond TAST Embroidery Challenge

For the second Beyond TAST embroidery challenge we had to take an isolated stitch, or part of a repeated stitch and rearrange it into different patterns. Having already investigated many of the isolated stitches dueing the 2015-2017 TAST challenge, I decided to take a single repeat of some stitches and see what I could do.

Firstly, open chain. At the top you can see a line of open chain, with a single repeat of the stitch next to it. I then took the single repeat and arranged it into fillings, square, hexagonal, circular and oval motifs (which I turned into flowers because I usually end up turning everything into flowers at some stage).

Various ways of stitching an embroidered sampler using single units of open chain stitch

Next, I did the same with maidenhair stitch and threaded, or interlaced running stitch.

You can see on this sampler that I also tried a single unit of interlaced running stitch as a random filling stitch and a couching stitch, to hold down some yarn. I ended up threading each running stitch twice to make the stitch bolder.

Embroidery sampler investigating different ways to use single units of maidenhair and threaded running stitches.

While I was working on these samplers, I came up with an “investigation language” to use on other stitches.

Firstly, some basic ways to try repeating stitches to make motifs and repeats. Then some ideas for ways to repeat stitches in borders. You can see that I used the “half circle on top of a line, followed by a half circle underneath the line” repeat with the interlaced running stitch to make a very decorative border.

Sometimes, as with the open chain border sketched below, it was immediately obvious there was a better way to make this stitch, so I didn’t end up stitching it out. In this case, back stitch is probably a better idea. I think that would make a great border with the addition of some beads or satin stitched blocks.

Sketches of ways to arrange embroidery stitches to form borders, fillings and motifs

Then I thought of different ways to change each stitch, using chain stitch as an example. Whilst I didn’t use most of these ideas in my current samples, they’ll be very interesting to play with in future.

Different ways to change detached chain stitch in embroidery

These ideas can be used with almost any stitch.

  1. Add more parts to the stitch by repeating sections. For example, adding a second chain stitch to the other end of the little “tie down” stitch on a detached chain stitch. Tying down a chain stitch with three tacking stitches instead of one.
  2. Replace part of the stitch with something else. E.G. tying down a detached chain with a french knot instead of a little tack stitch. Using a bullion stitch to make the looped part of the chain stitch.
  3. Add beads to different parts of the stitch.
  4. Take any variation and make part of it longer.
  5. Use any of the variations to couch down another thread, ric-rac, or fabric.
  6. If you change the order of the steps to make the stitch, can you then use more colours? For example, make the tack stitch of a detached chain or fly stitch first, then make the loop in another colour.
  7. Can you weave part of the stitch?

There are probably more ways to change a stitch. If you can think of any, please leave a comment with your idea. I may end up giving them a try!

signature

Isolated Stitches in Embroidery – Beyond TAST

A new challenge for Beyond TAST came out this week: exploring isolated stitches. Seeing how they can be used, made into patterns, or created from other stitches that usually form lines and fillings. For example, chain stitch is a line and filling stitch, with lazy daisy (aka detached chain), being the isolated version of the same stitch.

I grabbed a few of my embroidery books that I thought might help me come up with some ideas. Stitches: New Approaches by Jan Beaney, The Batsford Encyclopedia of Embroidery Stitches by Anne Butler, and The Stitches of Creative Embroidery (later edition) by Jaqueline Enthoven.

Three vintage embroidery books.

I picked out a few different types of stitches to play with. If I didn’t restrict myself then I’d end up with eight zillion samplers!

I chose open chain, eyelets, wheat ear stitch, lock stitch, threaded running, and maidenhair stitches as my main stitches. Others I may include if I have time are dot stitch, fancy hem stitch, knotted cable chain, bokhara couching, double herringbone, backstitched herringbone, detached chain and chevron stitch.  I wanted to include some stitches that are already isolated, and some that are single sections of a repeating stitch (like maidenhair stitch).

After doing a bit of research, I usually start by scribbling whatever ideas I can come up with in my sketch book.

Thoughts so far:

  • I might give eyelets their own page as I’ve never experimented with them before.
  • Try the different stitches in different motif and flower styles, e.g. four spoke cross, six spokes, eight spokes, twelve spokes, circles and ovals.
  • Use stitches as texture by overlapping.
  • Move bits of the stitches around to different places.
  • Lengthen parts of the stitches. E.g. detached chain becomes long tail chain.
  • Isolated stitches used as a filling. Dot stitch is a typical isolated stitch used as a  filling stitch, what happens if other stitches are used this way?

And that is where I’m at so far! Now I just need to grab some fabric, pick out some threads and get stitching. I have a feeling this is going to take a while.

signature

Please note: This post contains affiliate links to Amazon.com. I won’t receive a commission if you purchase the linked books but may do if you purchase a new item after clicking these links.