I don’t usually put tutorials straight in the blog but I couldn’t wait to finish my rug to show you this!
I will eventually put the measurements of the loom and detailed instructions for several projects on the small looms page but I really wanted to show you this much now 🙂
About 6 months ago I saw some vintage rag rug looms on ebay. Postage from the US to Australia was prohibitive because they were so heavy, so I copied down the measurements in the description and my Dad made me one.
It’s about 20 inches long with a cup hook at the front for tensioning the warp, two posts at the back for sitting your spools of warp on, and a perpendicular piece of wood with two slits in it for keeping the warp tensioned and at an angle so you can get your hands underneath for speedy knot tying (for the sake of this tutorial I’m going to call this the “tensioning post”). If you’re a woodworker please feel free to make and sell these. We need to keep the old crafts alive!
Here’s how to make the ghiordes knots. (I have read the ghiordes rhymes with forties, but I’ve never heard anyone say it out loud)!
First, cut your strips of fabric. For my first try I have cut them 1 x 3 inches. I’m using fabrics that are mostly cotton that were left over from a Suffolk puff quilt that I made last year. (I’m going to experiment with other fabrics later on).
Tie your two warp ends together and put the knot in front of the cup hook. Pull the warp tight, thread it into the slots on the upright bit of wood and make a few loops over the outside edges to keep it tight.
Take one of the strips of fabric and fold it in half lengthwise. Hold it across the top of the warp. (I usually make knots with two hands but one hand was holding the camera).
Fold the ends to the back, around the warp threads.
Pull the ends to the front, between the two warp threads. Use the ends to pull the knot down towards the cup hook. As you add more knots, keep pulling them down towards the ones already formed as you pull them tight.
This is what a length of finished knots will look like.
When you have made a lot of knots it will become difficult to tighten new ones because the warp will want to pull them apart again. When this happens, untie the warp threads from the tensioning post, take the other end of your warp off the cup hook, move it along and retie the warps on the tensioning post. The last ghiordes knot you made should be in front of the cup hook.
Keep making knots until you run out of warp or it’s long enough. Whichever comes first.
To make a rug you twist your length of knots into a large flat spiral, keeping the pile on one side. Stitch the fabric together on the back with a strong thread. I don’t have any tips for this part yet as I haven’t got that far.
You can also use these knotted lengths for other things. I’m going to try making some with 6 inch long strips of fabric, then trap it in the seam of a cushion for a rag strip fringe.
I also made a long piece with yarn. I could see making three long strips and tying them together at regular intervals with another piece of yarn to make a big, thick, fluffy boa.
I’m going to have fun playing with this. It’s remarkably quick to make. I’ll show you the rug when it’s finished 🙂
After falling ill in the last couple of months of last year I fell drastically behind in the Square Deal Weave-Along so I have spent the past few days catching up. Here are lots and lots (and LOTS!) of pictures and details from my adventures 🙂 Since there are so many images I’m making them a bit smaller than usual. You can click on the images to view the larger pictures in my flickr account. Firstly, Wide Wale Corduroy. (Am I the only person who always wants to spell that “Wide Whale”?)
I love this weave. It has a lovely texture, it’s soft and squishy and generally encompasses everything I like about hand weaves (textured weaves are my favourite). I used up a whole skein of Cleckheaton Country 12 ply and made quite a few squares. When I began to run out of that skein of yarn I wove this square. Rounds 1-3 are the Cleckheaton Country 12 ply and I wove with two strands of hand painted 8 ply wool. (That’s DK weight to those who don’t know Aussie yarn weights).
The triangles are really fiddly to weave but they do look nice :). The triangles were woven using various 8 ply wools. ”
I experimented briefly with the inlay technique. This is another technique and look that I really enjoy. I will be playing with this, and related techniques, on my table loom as well. Next (working backwards through the weave-along), is seven diagonal stripes.
I worked the first style in one colour, again using 8 ply weight wool.
Then I worked the mirrored seven diagonal stripes variation using the same blue for the first three rounds and a speckled yellow 8 ply wool for the weaving. A five stripe diagonal weave was mentioned in the same post so I tried that too.
Furrows was the next design. I worked quite a few squares in single colours of 8 ply wools.
Furrows quickly became another favourite texture weave that I want to play with on my table loom 🙂 Next is the diagonal half square.
I wound the first variation with three rounds of blue 8 ply weight wool, and wove with pink.
Then I wove the mirrored variation in a single colour. I like the two-colour version best as I think it shows up the design more. Next we have rigby weave. I played around with this one quite a bit.
Firstly I wound rounds one and two with a strand of 8 ply weight blue and a strand of 8 ply weight purply-red held together. Rounds 3 and the weaving were done with the blue yarn only. This is entirely too stiff and was a bit difficult to weave.
Then I tried rounds one and two with the blue wool and a strand of 4 ply wool (fingering weight) held together and worked round 3 and the weaving with the 4 ply wool. This was much better. I really like the subtle effect with the similar colours.
I also tried the first two rounds with two strands of pink bouclé, then wound round three and wove with the same fingering weight blue wool from the previous square. The weaving was surprisingly a lot easier than I thought it would be, given the loopiness and bulk of the bouclé. This one worked out a little stiff though.
I tried again with a single strand of the bouclé and the third round and weaving worked with the purply-red 8 ply weight wool. This square has a nicer hand but lost the fun of the loopy bouclé texture.
I liked the bouclé so I went ahead and wove a plain-weave square with it. I may use up the rest of the skein in plain weave squares. Once again, I love the texture of it 🙂 Even though I have a set of rectangular looms, I had a go at weaving odd sized rectangles on my square loom. It’s nice to know these techniques in case they’re ever needed.
I made two, two by four inch rectangles and stitched them together to make a square I could use in my blanket. These are 8 ply weight wools again. I found them to be quite easy to weave once I figured out the technique. Lines and Bars, and Bars and Squares were next.
First I wove bars and lines with two rounds of purply-red and two rounds of rainbow. It almost completely obscured the design.
I tried again with three rounds of dark pink and weaving with purply-red. Whilst this is not one of my favourite weaves at least you can see it better this way…
Finally I tried bars and squares the same way, with blue and yellow (all 8 ply weight wools). I only wove one square in eight single rib. I really like it so I shall have to do more. It’s another lovely squishy textured weave.
I’m not entirely sure if that’s the back or the front… I wasn’t sure if I had done any ribbing weave so I wove this new square in purply-red 8 ply weight wool.
As it turned out, I had done a lot of ribbing squares before I fell ill so this is another one to add to the blanket 🙂 Finally in my square deal weave-along catch-up are the double outline diamond squares that I wove before I fell ill but never blogged.
Four 4 inch squares woven with 8 ply weight wools.
Two rounds of light blue and two rounds of dark purple. I prefer the plain colours.
A six inch square in light blue 8 ply weight wool
and the same in purply-red. I wove a total of four large squares with this design. That’s all for the square deal weave-along. I didn’t work the fringed squares because I have no need for them in my project but I definitely want to make alion at some stage. That isn’t all the weavette weaving I did though. I played with this weave from the book I bought from the makers of the weavette looms.
As with one of the previous weaves I did two rounds purple and two rainbow. The busy colours are just too much for the design.
I tried again with tan and red. I think this effect is interesting and would probably work well in two colours that are less “jarring” together.
Ok, technically there is neither a splat nor a crunch, bet hey! Artistic license and all that 🙂
Three or so weeks ago I promised I would upload photos of other projects I had made the next day. Then there was Christmas and New Year’s and swimming and shopping and destashing and…
Let’s just face facts, shall we? This is as fast as I get 🙂
I still don’t have a photo of one of them, but here are the rest.
I finished these wristicuffs for Miss Brittany last night.
They’re made from some of my very, very early handspun. It’s lumpy and bumpy and dyed with Kool-Aid. It’s also incredibly soft and Brittany asked me to make her something out of it while we were sorting out the garage stash. I wanted to destash it but there you go…
Techy specs – Yarn: lumpy handspun 2 ply merino, approximately aran weight. Spun by me about 10 or 11 (maybe 12) years ago.
Pattern: K1, p1 rib on 4mm needles. 1 inch smaller than wrist circumference (unstretched).
3 inches long
The next projects are quite picture heavy so bear with me. Two Una-na dolls made from the Japanese book by Mimiwn. I love making these dolls. I can see myself becoming quite addicted to making them little clothes and accessories. I had to stop myself buying a little toy kitchen dresser at the op shop the other day because it was the right size for them. (If I had my own, much larger, house I would have bought it).
The black haired one is called Pansy Dollington (Brittany’s) and the brown haired one is mine. Her name is Florence Dollington. Unfortunately Florence has developed a tendency to swear like a sailor when least expected (but definitely *not* when my Dad is around, haha). I suspect she’s got a little bit of a dolly “drinky drinky” problem to tell the truth…
I still need to finish sewing Florence’s shirt and skirt. I had to take my sewing machine apart halfway through to clean it, and then everything got put away for Christmas and I haven’t been back to it yet.
This first picture shows her wearing the first unsuccessful wrist warmer as a shoulder warmer type thing. I’m going to put a little felt & button flower on it.
Here she is wearing an early Spring… let’s call it a “ponchette”. (I love that word. It’s so pretentious).
And finally here she is wearing a ponchette from the same pattern, but in thicker yarn.
The book is unfortunately out of print (Una-na dolls by mimiwn)
The red and beige yarns are discontinued dk weight commercial yarns, and the bright blue is some of my hand dyed handspun yarn with (I think) mohair, angelina fibre and possibly something else thrown in. The blue is 2 ply and a bit finer than fingering weight.
Next is a quickie that I knit at the doctor’s the other day.
The mysterious pattern was posted on Cosymakes a few days ago. Since I had just finished all my simple knitting and I had to leave quite soon, I scribbled out the pattern, grabbed needles and yarn and had a go. I just can’t resist small vintage patterns that don’t have pictures 🙂
I love this little stocking boot so much that I’m thinking of making a bunch of them during the year in whatever scraps I still have lying around after my major destash (I’ll get to that BTW).
Techy details: I used thinner yarn and smaller needles than the pattern calls for, but only slightly. The pattern calls for 5mm needles and (I guess) a worsted weight yarn. I used 4mm needles and dk weight. The green is some of my handspun, the purpley red is Jo Sharp DK wool.
Well I think that’s enough for today! I have more projects to share with you but I think I’ll leave them and the story of the destash until tomorrow. I’ve already taken the photos, so you won’t have to wait another three weeks, I swear!
Jana from Eloomanation.com recently mentioned on Ravelry that she found some vintage instructions for weaving a bias triangle on a regular weavette and my curiosity had to be assuaged so I sat down with my little 4 inch loom to see if I could figure out how to do it.
First I made a bias woven square so that I could see the effect that the missing pins on a regular weavette have on the finished look of the piece.
Answer: None at all. No wonder Weave-It bias looms didn’t sell well, if you had a regular weavette you didn’t need one 😛
The weaving technique for the triangle was the easiest part to figure out as you can find several excellent sets of instructions by googling instructions for weaving on a triangle loom.
On a triangle loom, the hypotenuse of the triangle (the long edge) is supported by a row of nails so it can’t be pulled too tight. However, on a weavette the edge is completely unsupported.
The trick to keeping the unsupported edge neat is to place a spare weaving needle across the loom and weave around it.
The selvage can’t pull in and you’re left with a lovely neat edge.
Now that my curiosity is satisfied I can get on with my Christmas knitting!
I’m a bit allover the place with my needlework projects at the moment so I thought I’d give a quick pictorial update as to what I’ve been up to. My keyboard is also dying, which is beginning to make typing difficult (half the top row of keys won’t work and the shift and control keys seem to have a life of their own!)
I received this in the mail this week (I love the ring-only edging on the cover):
and have decided to use this motif out of it for the doily I wanted to make, instead of the one from Modern Priscilla which I had decided on before. I prefer this one because it’s a bit more complex than the one I was originally going to use, which will make it a bit more challenging.
I’ve been working hairpin lace samples for a couple of articles, plus about half of the first strip for my shawl (the white thing at the top)
I’ve been learning to use the Singercraft tool to make pile fabrics
and finally, I started a piece of teneriffe lace on my Koppo cushion
The cream thread is size 40 and the “random kingfisher” is size 20. If anyone knows where I can find more random kingfisher in any size thread please let me know! I bought one ball at an op shop so it’s probably vintage but it’s my favourite colour and I’d like to stock up on some more.